Lastly, you can fine-tune your animation by using the spline and keyframe editors. After that, you can create masks to limit effects to specific areas of the image, then adjust tool settings in the inspector. You start by merging images together in either 2D or a true 3D workspace. You merge images together, insert effects, use masks to isolate effects, adjust settings and fine tune your animations. There are five simple operations in the Fusion workflow that are the basis for all of your work. Tools can be combined in any order, letting you create an unlimited number of effects! Simply drag the output from the MediaIn node and connect it to the input of the blur node. To add a blur, drag the blur node from the toolbar to your flow chart and connect it in sequence after the media in. The MediaIn node represents the clip from the edit timeline. There are no confusing stacks of nested layers and hidden menus! You build effects by stringing nodes together one after the other. Nodes are like building blocks that represent effect tools, generators, transforms, masks and more. Multiple masks can be created, tracked and then passed to the color page, saving time and making intricate secondary color corrections such as realistic sky replacements, easier and better looking than ever.įusion uses a flow chart called a node tree that visually maps out how effects are connected and work together. Fusion lets you quickly design lower thirds, animate 3D infographics or pull perfectly clean keys on a green screen shot. You can seamlessly move between the edit, Fusion and color pages with a single click. That's because instead of sending out graphics, retouch jobs, or full blown visual effects shots to another system, all of the tools you need are built in. Whether you’re working solo or are a professional editor, colorist or finishing artist, Fusion lets you complete shots faster.

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